First time tuning can be tricky because both the Pitch pair and Volume pair of oscillators must be close to a null in order to hear anything at all. If the Pitch pair are close, but the Volume pair are far apart you won't hear anything because the Volume doesn't come on. If the Volume pair are close but the Pitch pair aren't, you won't hear anything because of no pitch signal. In either case, there's no clear indication of what needs to be adjusted to hear a sound. You can eliminate this complication by temporarily disabling the heterodyne part of the Volume control circuitry and forcing the VCA "on" while the Pitch pair of oscillators is nulled.
Use the clip lead supplied to temporarily connect the V+ line (the banded end of the zener D1) to the "high" side of the volume control (lug 3 of R83). When using this trick, it is very important to set the front panel Volume Control to mid-range or slightly less. The V+ voltage is almost double the normal maximum CV and too high a Control Voltage causes the VCA to saturate and effectively turns it off. If you forget, don't worry, nothing will be damaged by having the Volume set too high, you just won't hear anything until you turn it down.
Set the Pitch Trim and Volume Trim controls on the panel to mid-range and the Pitch CV, Timbre and Velocity controls fully Counter-Clockwise. Turn the slugs of all the coils L1-L4 fully "out" (Counter-Clockwise) just until you feel resistance - the coils can be damaged by applying too much force while turning the slugs. From the fully "out" position, turn the slugs of the two coils L1 and L4 one full turn "in" (CW). These coils will not be adjusted again.
Plug the Tmax output into an amp and turn both on. During initial setup you may need to adjust the volume for comfortable listening levels or to prevent overload and distortion. Make these changes with the amplifier's volume control only. Do not change Tmax's Volume Control from it's mid-range setting until told to do so later is these procedures.
Slowly adjust the slug of L2 "in" (Clockwise) while listening for the heterodyne tones that slide down form a very high pitch then go through zero frequency and begin to climb again.. If you have the gain of the amplifier that you're using set high, you may find a couple of places where tones can be heard, but as you adjust the slug continuously from one end to the other you will hear one in particular that is very much louder than the others. The point at which the frequency of these louder tones go through zero is the ideal setting. But don't confuse this null point with the two super-audio regions when the slug is a little too far "out" or "in".
You won't be able to set exact null by tuning L2 unless it's by random chance. You'll find that the pitch shifts slightly as you remove your hand from tuning the slug, or as you remove the slight downward pressure of the tuning tool. This is OK, the control panel's trim knob is used to set exact null.
When you have gotten close to null using L2, play with the Pitch Trim control on the panel some. You should find that rotating this control has about the same overall effect that turning the tuning slug did, except with much greater resolution and control. Notice particularly that you can easily null the Pitch exactly.
With the pitch nulled, try the antenna response. In a properly operating Tmax you should find that pitch first responds when your hand is about 16 inches from the antenna and that pitch increases smoothly up to a peak when your hand is about 2 inches away.
When you've played with pitch for a while and have a feel for the interaction of the tuning slug and Trim control, it's time to move on to setting up Volume. Leave the Pitch Trim set so that there is some easily audible tone and remove the clip lead from D1 to R83. Turn Tmax's front panel Volume Control all the way to max.
Now slowly adjust the slug of L3 "in" while listening for the output tone. While turning the slug from end to end you will hear the volume rise, then fall back to quiet, then rise again. This corresponds to the way the pitch fell from a high frequency to zero then rose again. When you have observed this, return the slug to it's fully "out" position and once again turn it "in" slowly until the volume starts to increase. The setting of this coil that yields that greatest sensitivity and range of control will be about 1/16 turn short of the first volume peak. At the optimum setting, the max signal level (hand fully removed from antenna) will be about the same as it was when the test jumper was in place.
Try the Volume Antenna response. You should hear the volume begin to decrease as your hand gets closer than about 10" to 12" from the antenna and should be completely off when your hand is closer than about 1/4". Touching the Volume Antenna should not produce any audible artifacts such as chirps or pops. If the range of control seems "compressed" so that all the change in Volume happens over only a few inches of hand motion, try turning L3's slug just slightly CCW, about 1/16 turn. This will produce a slightly lower overall output, which should be compensated by turning up the amplifier's gain control. If you want still more hand motion range, turn the slug out a little more and adjust the amplifier gain accordingly. You will know you have carried things too far when you still hear a tone with your hand on the antenna, but you should find a satisfactory range of control well before that.
With a tone audible, rotate the Timbre control Clockwise and observe that the tone gets considerably more "reed like" as you fade from sine wave to square wave output. Return the Timbre control to it's fully CCW position. Advance the Velocity control fully Clockwise and observe that as your hand is rapidly removed from the Volume antenna the Gate/Trig LED comes on. Also notice that the character of the sound now changes as your hand is withdrawn, getting "fuller" when your hand is moved rapidly and settling to a purer tone when you slow down or stop.